A Sonic Journey with Black Hudu and Ras Amharic Sound System : Manchester Carnival 2024
At the heart of the Manchester carnival, Black Hudu DJs—Anouj, SG, and Mighty Funk Houser—stood out as they took us on an unforgettable journey.
This year's Manchester Carnival, held over a perfect summer weekend on August 10th and 11th, was a celebration of culture, history, and community. Marking 75 years since the arrival of the Windrush generation, the carnival drew over 60,000 people to Alexandra Park.
The vibrant atmosphere was alive with the sounds, smells, and energy of the Caribbean, making it a memorable event for everyone in attendance. At the heart of the carnival, Black Hudu DJs—Anouj, SG, and Mighty Funk Houser—stood out as they took us on an unforgettable sonic journey.
Their set, powered by the Ras Amharic Sound System, was a mix of neo-soul, lo-fi hip hop, bruk beat, deep jazzy house, roots, and steppers (garage).
With a stack of some of the rarest vinyls performed exclusively on vinyl turntables and Master Sounds rotary mixer and hosted by the conscious Mighty Funk Houser.
The analog warmth of vinyl brought a nostalgic yet authentic feel to the music, creating a depth that perfectly complemented the power of the sound system, which pulled a diverse crowd of music lovers.
The Ras Amharic Sound System provided the kind of rich, full-bodied sound that vibrated through the crowd, enhancing the immersive experience. What made this experience extra special was the thoughtful provision of earplugs, ensuring that everyone could enjoy the intensity of the bass without sacrificing ear safety—an underrated but essential gesture.
Relive the moment…
In addition to the many sound systems across Alexandra Park, the sense of the Caribbean was ever-present. The delicious aromas of jerk chicken, curry, and other traditional dishes filled the air, while the vibrant stalls and decorations brought the rich culture of the islands to life. The combination of music, food, and sunny weather created an almost magical atmosphere, complementing each element.
As the set by Black Hudu DJs played on, the crowd stepped in unity, embracing the healing power of music with a message. It was more than just a performance—it was a spiritual and cultural experience, reminding us of the importance of community and the legacy of the Windrush generation.
This year's carnival left a lasting impression. From the power of the Ras Amharic Sound System to the authentic warmth of vinyl, and the vibrant Caribbean atmosphere, it was a day of unity, elevation, and celebration.
I left feeling not only connected to the music but also to the powerful history and culture that the Manchester Carnival embodies.
Saving Grace Music Presents Highest Frequency Vol 2.
Saving Grace Music proudly presents Highest Frequency Vol. 2, an album repping the UK’s vibrant electronic music culture to the fullest.
The LP collects 11 high-grade tracks from music legends, bubbling talents, and currently undiscovered artists.
KoDean Productions opens things up with a cold serving of his trademark Sci-Fi Drill sound, the enigmatic Dreams. Saving Grace upstart Slinki comes with a true dancefloor destroyer known as ANX BNX, a hyperactive footwork riddim with an arresting melody and a thunderous kick drum. Murk stays true to the name on Slowwww, a high-octane, jump-up drum & bass roller. UKG & Bassline legend DJ Q brings us his epic track All Mighty, combining elements of dub, dubstep, drum & bass, and a powerful reggae vocal sample, taking you on a journey through his music inspirations.
On Fantasmo Circuitry, 11-year-old DJ Marcel displays influences beyond his years from 80’s electronica, jazz, and hip-hop, skillfully executed with meandering piano, slap bass, and 808 beats. Mighty Funk’Houserreminisces about a fine lady on his soulful deep house/bruk joint, Chantay Had A Vybe. Sheffield native Krash displays his unique bassline style on Going Home, featuring a bittersweet piano rift and handcrafted bass. Positive_Con flips a classic sample into the anthemic bass-hybrid banger Underground.
Shaun Dean’s bouncy garage riddim Like It is a fresh and flavorful take on a classic oldschool sound. Eclectic, weird, and comical production duo Foxglove Riot takes us foraging for Subterranean Garlic on a forest moon – to the sound of rugged drums, enchanting melodies, and nostalgic vocal harmonies. For the album’s cinematic conclusion we enter the Austerity Chamber, Tony Phorse’s simulation of a near-future dystopia, soundtracked by distorted techno beats and apocalyptic synth.