Saving Grace Music proudly presents Highest Frequency Vol. 2, an album repping the UK’s vibrant electronic music culture to the fullest.
The LP collects 11 high-grade tracks from music legends, bubbling talents, and currently undiscovered artists.
KoDean Productions opens things up with a cold serving of his trademark Sci-Fi Drill sound, the enigmatic Dreams. Saving Grace upstart Slinki comes with a true dancefloor destroyer known as ANX BNX, a hyperactive footwork riddim with an arresting melody and a thunderous kick drum. Murk stays true to the name on Slowwww, a high-octane, jump-up drum & bass roller. UKG & Bassline legend DJ Q brings us his epic track All Mighty, combining elements of dub, dubstep, drum & bass, and a powerful reggae vocal sample, taking you on a journey through his music inspirations.
On Fantasmo Circuitry, 11-year-old DJ Marcel displays influences beyond his years from 80’s electronica, jazz, and hip-hop, skillfully executed with meandering piano, slap bass, and 808 beats. Mighty Funk’Houserreminisces about a fine lady on his soulful deep house/bruk joint, Chantay Had A Vybe. Sheffield native Krash displays his unique bassline style on Going Home, featuring a bittersweet piano rift and handcrafted bass. Positive_Con flips a classic sample into the anthemic bass-hybrid banger Underground.
Shaun Dean’s bouncy garage riddim Like It is a fresh and flavorful take on a classic oldschool sound. Eclectic, weird, and comical production duo Foxglove Riot takes us foraging for Subterranean Garlic on a forest moon – to the sound of rugged drums, enchanting melodies, and nostalgic vocal harmonies. For the album’s cinematic conclusion we enter the Austerity Chamber, Tony Phorse’s simulation of a near-future dystopia, soundtracked by distorted techno beats and apocalyptic synth.
